Ally the Manic Listmaker
Profile: mubi
Here is my ranked list, 1-100.
Double vie de Véronique, La/The Double Life of Veronique (1991, Krzysztof Kieslowski)
Trois couleurs: Rouge/Three Colors: Red (1994, Krzysztof Kieslowski)
A Star is Born (1937, William A. Wellman)
Bonnie and Clyde (1967, Arthur Penn)
Sunset Blvd. (1950, Billy Wilder)
Network (1976, Sidney Lumet)
M (1931, Fritz Lang)
Sabrina (1954, Billy Wilder)
Museum Highlights: A Gallery Talk (1989, Andrea Fraser)
La Cérémonie/A Judgement in Stone (1995, Claude Chabrol)
The Night of the Iguana (1964, John Huston)
Scaphandre et le papillon, Le/The Diving Bell and the Butterfly (2007, Julian Schnabel)
Cléo de 5 à 7/Cleo from 5 to 7 (1962, Agnes Varda)
Angst vor der Angst /Fear of Fear (1975, Rainer Werner Fassbinder)
Les gens normaux n’ont rien d’exceptionnel/Normal People are Nothing Exceptional (1993, Laurence Ferreira Barbosa)
Vertigo (1958, Alfred Hitchcock)
Poil de carotte/Carrot-Top/The Red Head (1932, Juliven Duvivier)
Antoine et Colette/Antoine and Colette (1962, François Truffaut)
Camille Claudel (1988, Bruno Nuytten)
Roman Holiday (1953, William Wyler)
Happy-Go-Lucky (2008, Mike Leigh)
Quai Des Orfèvres/Jenny L’amour (1947, Henri-Georges Clouzot)
Les Herbes folles/Wild Grass (2009, Alain Resnais)
(Nuovo) Cinema Paradiso (1988, Giuseppe Tornatore)
My Man Godfrey (1936, Gregory La Cava)
Witness for the Prosecution (1957, Billy Wilder)
Dangerous (1935, Alfred E. Green)
Demoiselles de Rochefort, Les/Young Girls of Rochefort (1967, Jacques Demy/Agnès Varda)
Laura (1944, Otto Preminger)
The Graduate (1967, Mike Nichols)
Lolita (1962, Stanley Kubrick)
All About Eve (1950, Joseph L. Mankiewicz)
Underground (1995, Emir Kusturica)
Confidences trop intimes/Intimate Strangers (2004, Patrice Leconte)
Estate violenta/Violent Summer (1959, Valerio Zurlini)
Crimes and Misdemeanors (1989, Woody Allen)
Cet obscur objet du désir, That Obscure Object of Desire (1977, Luis Buñuel)
Singin’ in the Rain (1952, Stanley Donen)
Cría cuervos (1976, Carlos Saura)
La Fille sur le pont/The Girl On the Bridge (1999, Patrice Leconte)
Alice (1990, Woody Allen)
Todo sobre mi madre/All About My Mother (1999, Pedro Almodóvar)
Angèle (1934, Marcel Pagnol)
The Thin Man (1934, W.S. Van Dyke)
Casablanca (1942, Michael Curtiz)
When a Woman Ascends the Stairs/ Onna ga kaidan wo agaru toki (1960, Mikio Naruse)
Coeurs/Private Fears in Public Places (2006, Alain Resnais)
Love Me Tonight (1932, Rouben Mamoulian)
Secrets & Lies (1996, Mike Leigh)
Ruggles of Red Gap (1935, Leo McCarey)
Peggy Sue Got Married (1986, Francis Ford Coppola)
Life Is Sweet (1991, Mike Leigh)
Pygmalion (1938, Leslie Howard, Anthony Asquith)
Le roman d’un tricheur / The Story of a Cheater (1936, Sacha Guitry)
Bon voyage (2003, Jean-Paul Rappeneau)
The Eddy Duchin Story (1956, George Sidney)
A Serious Man (2009, Ethan Coen, Joel Coen)
The Long Goodbye (1973, Altman)
Shadows (1959, John Cassavetes)
Shadow of a Doubt (1943, Alfred Hitchcock)
Inside Daisy Clover (1965, Robert Mulligan)
Sense and Sensibility (1995, Ang Lee)
Eternal Sunshine of the Spotless Mind (2004, Michel Gondry)
Another Woman (1988, Woody Allen)
Coup de torchon/Clean Slate (1981, Bertrand Tavernier)
Synecdoche, New York (2008, Charlie Kaufman)
Tess (1979, Roman Polanski)
Les Yeux sans visage / Eyes Without a Face (1960, Georges Franju)
The Royal Tenenbaums (2001, Wes Anderson)
Chelovek s kino-apparatom/Man With the Movie Camera (1929, Dziga Vertov)
Mulholland Dr. (2001, David Lynch)
Breakfast at Tiffany’s (1961, Blake Edwards)
Ensayo de un crimen/The Criminal Life of Archibaldo de la Cruz (1955, Luis Buñuel)
The Bad and the Beautiful (1952, Vincente Minnelli)
Les Diaboliques (1955, Henri-Georges Clouzot)
À bout de souffle/ Breathless (1960, Jean-Luc Godard)
Au hasard Balthazar (1966, Robert Bresson)
Klaps/Slate (1976, Krzysztof Kieslowski)
Three Days of the Condor (1975, Sydney Pollack)
Jeanne la Pucelle – Les prisons (1994, Jacques Rivette)
La Gloire de mon père /Glory of My Father (1990, Yves Robert)
Le château de ma mère (1990, Yves Robert)
Twentieth Century (1934, Howard Hawks)
L’amour l’aprs-midi / Chloe in the Afternoon (1972, Eric Rohmer)
Walkabout (1971, Nicolas Roeg)
Deserto rosso, Il /The Red Desert (1964, Michelangelo Antonioni)
Goodfellas (1990, Martin Scorsese)
His Girl Friday (1940, Howard Hawks)
Bringing Up Baby (1938, Howard Hawks)
One Flew Over the Cuckoo’s Nest (1975, Miloš Forman)
Amadeus (1984, Miloš Forman)
The Godfather (1972, Francis Ford Coppola)
The Godfather: Part II (1974, Francis Ford Coppola)
The Purple Rose of Cairo (1985, Woody Allen)
Pursued (1947, Raoul Walsh)
Lola (1961, Jacques Demy)
The Bitter Tears of Petra von Kant (R.W. Fassbinder)
Thieves’ Highway (1949, Jules Dassin)
L.A. Confidential (1997, Curtis Hanson)
Scarface (1983, Brian De Palma)
Profile: mubi
Here is my ranked list, 1-100.
Double vie de Véronique, La/The Double Life of Veronique (1991, Krzysztof Kieslowski)
Trois couleurs: Rouge/Three Colors: Red (1994, Krzysztof Kieslowski)
A Star is Born (1937, William A. Wellman)
Bonnie and Clyde (1967, Arthur Penn)
Sunset Blvd. (1950, Billy Wilder)
Network (1976, Sidney Lumet)
M (1931, Fritz Lang)
Sabrina (1954, Billy Wilder)
Museum Highlights: A Gallery Talk (1989, Andrea Fraser)
La Cérémonie/A Judgement in Stone (1995, Claude Chabrol)
The Night of the Iguana (1964, John Huston)
Scaphandre et le papillon, Le/The Diving Bell and the Butterfly (2007, Julian Schnabel)
Cléo de 5 à 7/Cleo from 5 to 7 (1962, Agnes Varda)
Angst vor der Angst /Fear of Fear (1975, Rainer Werner Fassbinder)
Les gens normaux n’ont rien d’exceptionnel/Normal People are Nothing Exceptional (1993, Laurence Ferreira Barbosa)
Vertigo (1958, Alfred Hitchcock)
Poil de carotte/Carrot-Top/The Red Head (1932, Juliven Duvivier)
Antoine et Colette/Antoine and Colette (1962, François Truffaut)
Camille Claudel (1988, Bruno Nuytten)
Roman Holiday (1953, William Wyler)
Happy-Go-Lucky (2008, Mike Leigh)
Quai Des Orfèvres/Jenny L’amour (1947, Henri-Georges Clouzot)
Les Herbes folles/Wild Grass (2009, Alain Resnais)
(Nuovo) Cinema Paradiso (1988, Giuseppe Tornatore)
My Man Godfrey (1936, Gregory La Cava)
Witness for the Prosecution (1957, Billy Wilder)
Dangerous (1935, Alfred E. Green)
Demoiselles de Rochefort, Les/Young Girls of Rochefort (1967, Jacques Demy/Agnès Varda)
Laura (1944, Otto Preminger)
The Graduate (1967, Mike Nichols)
Lolita (1962, Stanley Kubrick)
All About Eve (1950, Joseph L. Mankiewicz)
Underground (1995, Emir Kusturica)
Confidences trop intimes/Intimate Strangers (2004, Patrice Leconte)
Estate violenta/Violent Summer (1959, Valerio Zurlini)
Crimes and Misdemeanors (1989, Woody Allen)
Cet obscur objet du désir, That Obscure Object of Desire (1977, Luis Buñuel)
Singin’ in the Rain (1952, Stanley Donen)
Cría cuervos (1976, Carlos Saura)
La Fille sur le pont/The Girl On the Bridge (1999, Patrice Leconte)
Alice (1990, Woody Allen)
Todo sobre mi madre/All About My Mother (1999, Pedro Almodóvar)
Angèle (1934, Marcel Pagnol)
The Thin Man (1934, W.S. Van Dyke)
Casablanca (1942, Michael Curtiz)
When a Woman Ascends the Stairs/ Onna ga kaidan wo agaru toki (1960, Mikio Naruse)
Coeurs/Private Fears in Public Places (2006, Alain Resnais)
Love Me Tonight (1932, Rouben Mamoulian)
Secrets & Lies (1996, Mike Leigh)
Ruggles of Red Gap (1935, Leo McCarey)
Peggy Sue Got Married (1986, Francis Ford Coppola)
Life Is Sweet (1991, Mike Leigh)
Pygmalion (1938, Leslie Howard, Anthony Asquith)
Le roman d’un tricheur / The Story of a Cheater (1936, Sacha Guitry)
Bon voyage (2003, Jean-Paul Rappeneau)
The Eddy Duchin Story (1956, George Sidney)
A Serious Man (2009, Ethan Coen, Joel Coen)
The Long Goodbye (1973, Altman)
Shadows (1959, John Cassavetes)
Shadow of a Doubt (1943, Alfred Hitchcock)
Inside Daisy Clover (1965, Robert Mulligan)
Sense and Sensibility (1995, Ang Lee)
Eternal Sunshine of the Spotless Mind (2004, Michel Gondry)
Another Woman (1988, Woody Allen)
Coup de torchon/Clean Slate (1981, Bertrand Tavernier)
Synecdoche, New York (2008, Charlie Kaufman)
Tess (1979, Roman Polanski)
Les Yeux sans visage / Eyes Without a Face (1960, Georges Franju)
The Royal Tenenbaums (2001, Wes Anderson)
Chelovek s kino-apparatom/Man With the Movie Camera (1929, Dziga Vertov)
Mulholland Dr. (2001, David Lynch)
Breakfast at Tiffany’s (1961, Blake Edwards)
Ensayo de un crimen/The Criminal Life of Archibaldo de la Cruz (1955, Luis Buñuel)
The Bad and the Beautiful (1952, Vincente Minnelli)
Les Diaboliques (1955, Henri-Georges Clouzot)
À bout de souffle/ Breathless (1960, Jean-Luc Godard)
Au hasard Balthazar (1966, Robert Bresson)
Klaps/Slate (1976, Krzysztof Kieslowski)
Three Days of the Condor (1975, Sydney Pollack)
Jeanne la Pucelle – Les prisons (1994, Jacques Rivette)
La Gloire de mon père /Glory of My Father (1990, Yves Robert)
Le château de ma mère (1990, Yves Robert)
Twentieth Century (1934, Howard Hawks)
L’amour l’aprs-midi / Chloe in the Afternoon (1972, Eric Rohmer)
Walkabout (1971, Nicolas Roeg)
Deserto rosso, Il /The Red Desert (1964, Michelangelo Antonioni)
Goodfellas (1990, Martin Scorsese)
His Girl Friday (1940, Howard Hawks)
Bringing Up Baby (1938, Howard Hawks)
One Flew Over the Cuckoo’s Nest (1975, Miloš Forman)
Amadeus (1984, Miloš Forman)
The Godfather (1972, Francis Ford Coppola)
The Godfather: Part II (1974, Francis Ford Coppola)
The Purple Rose of Cairo (1985, Woody Allen)
Pursued (1947, Raoul Walsh)
Lola (1961, Jacques Demy)
The Bitter Tears of Petra von Kant (R.W. Fassbinder)
Thieves’ Highway (1949, Jules Dassin)
L.A. Confidential (1997, Curtis Hanson)
Scarface (1983, Brian De Palma)
