Adrian Mendizabal
Manila, Philippines
Profile: mubi
Site: Auditoire
Nanook of the North (Robert J. Flaherty, U.S., 1922)
The Last Laugh (F.W. Murnau, Germany, 1924)
Battleship Potemkin (Sergei Eisentein, Soviet Union, 1925)
Sunrise (F.W. Murnau, U.S., 1927)
The Cameraman (Buster Keaton, U.S., 1928)
The Man With a Movie Camera (Dziga Vertov, Soviet Union, 1929)
L’Age D’Or (Luis Bunuel, France, 1930)
L’Atalante (Jean Vigo, France, 1934)
Grand Illusion (Jean Renoir, France, 1937)
Children of Paradise (Marcel Carne, France, 1945)
Orpheus (Jean Cocteau, France, 1950)
Rashomon (Akira Kurosawa, Japan, 1950)
Diary of a Country Priest (Robert Bresson, France, 1951)
Late Spring (Yasujirô Ozu, Japan, 1949)
Ugetsu Monogatari (Kenji Mizoguchi, 1953)
The Earrings of Madame de… (Max Ophüls, France, 1953)
Rear Window (Alfred Hitchcock, U.S., 1954)
The Night of the Hunter (Charles Laughton, U.S., 1955)
A Man Escaped (Robert Bresson, France, 1956)
Anak Dalita (Lamberto Avellana, Philippines, 1956)
Wild Strawberries (Ingmar Bergman, Sweden, 1957)
Vertigo (Alfred Hitchcock, U.S., 1958)
Hiroshima, Mon Amour (Alain Resnais, France, 1959)
Pickpocket (Robert Bresson, France, 1959)
L’Avventura (Michelangelo Atonioni, Italy, 1960)
Viridiana (Luis Bunuel, 1961)
Winter Light (Ingmar Bergman, Sweden, 1962)
Vivre Sa Vie (Jean-Luc Godard, France, 1962)
The Trial of Joan of Arc (Robert Bresson, France, 1962)
L’Eclisse (Michelangelo Antonioni, 1963)
Noite Vazia (Walter Hugo Khouri, Brazil, 1964)
Band of Outsiders (Jean-Luc Godard, France, 1964)
Andrei Rublev (Andrei Tarkovsky, Soviet Union, 1966)
A Man and A Woman (Claude Lelouch, France, 1966)
Persona (Ingmar Bergman, 1966)
Playtime (Jacques Tati, France, 1967)
Warrendale (Allan King, Canada, 1967)
Teorema (Pier Paolo Pasolini, Italy, 1968)
Flesh (Andy Warhol, U.S. 1968)
My Night At Maud’s (Eric Rohmer, France, 1969)
Once Upon A Time There Was A Singing Blackbird (Otar Iosseliani, Soviet Union, 1970)
The Spirit of the Beehive (Victor Erice, Spain, 1973)
The Man Who Sleeps (Bernard Queysanne, France, 1974)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder, West Germany, 1974)
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, Belgium, 1975)
Manila in the Claws of Neon (Lino Brocka, Philippines, 1975)
Salo, or the 120 Days of Sodom (Pier Paolo Pasolini, Italy, 1975)
The Mirror (Andrei Tarkovsky, Soviet Union, 1975)
The Wishing Tree (Tengiz Abuladze, Georgia, 1976)
Eraserhead (David Lynch, 1976)
Les Rendez-vous D’Anna (Chantal Akerman, France,1978)
Stalker (Andrei Tarkovsky, Soviet Union, 1979)
Age of the Earth (Glauber Rocha, Brazil, 1980)
Taxi Zum Klo (Frank Ripploh, West Germany, 1980)
City After Dark (Ishmael Bernal, Philippines, 1980)
Bomba Star (Joey Gosiengfiao, Philippines, 1980)
Blade Runner (Ridley Scott, U.S., 1982)
Querelle (Rainer Werner Fassbinder, West Germany, 1982)
L’Argent (Robert Bresson, 1983)
Sans Soleil (Chris Maker, France, 1983)
Vagabond (Agnès Varda, France, 1985)
Blue Velvet (David Lynch, U.S., 1986)
Where is The Friend’s Home (Abbas Kiarostami, Iran, 1987)
Under The Sun of Satan (Maurice Pialat, France, 1987)
My Neighbor, Totoro (Hayao Miyazaki, Japan, 1988)
Orapronobis (Lino Brocka, 1989)
A City of Sadness (Hou Hsiao-Hsien, Taiwan, 1989)
Close-Up (Abbas Kiarostami, Iran, 1990)
Life, and Nothing More… (Abbas Kiarostami, Iran, 1991)
The Double Life of Veronique (Krzysztof Kieślowski, Poland, 1991)
Kairat (Darezhan Omirbaev, Kazakhstan, 1992)
Chungking Express (Wong Kar-Wai, H.K., 1994)
Vive L’Amour (Tsai Ming-Liang, Taiwan, 1994)
Through The Olive Trees (Abbas Kiarostami, Iran, 1994)
Bontoc Eulogy (Marlon Fuentes, Philippines-USA, 1995)
A Moment of Innocence (Mohsen Makhmalbaf, Iran, 1996)
Happy Together (Wong Kar-Wai, H.K., 1997)
A Taste of Cherry (Abbas Kiarostami, Iran, 1997)
Histoire(s) Du Cinema (Jean-Luc Godard, France, 1997)
The Hole (Tsai-Ming Liang, Taiwan, 1998)
Beau Travail (Claire Denis, 1999)
Rosetta (Jean-Pierre Dardenne & Luc Dardenne, Belgium, 1999)
The Wind Will Carry Us (Abbas Kiarostami, 1999)
Yi Yi: A One and A Two (Edward Yang, 2000)
Millennium Mambo (Hou Hsiao-Hsien, 2001)
Basal Banar (Auraeus Solito, Philippines, 2002)
Talk to Her (Pedro Almodóvar, Spain, 2002)
Evolution of a Filipino Family (Lav Diaz, 2004)
Tropical Malady (Apichatpong Weerasethakul, Thailand, 2004)
A Short Film About The Indio Nacional (Or The Prolonger Sorrow of the Filipinos) (Raya Martin, Philippines, 2005)
Todo Todo Teros (John Torres, Philippines, 2006)
Inland Empire (David Lynch, U.S., 2006)
Syndromes and a Century (Apichatpong Weerasethakul, 2006)
Silent Light (Carlos Reygadas, Mexico, 2007)
Now Showing (Raya Martin, 2008)
The Beaches of Agnès (Agnès Varda, France, 2008)
Kinatay (Brillante Mendoza, Philippines, 2009)
Honey (Semih Kaplanoğlu, Turkey, 2010)
Refrains Happen Like Revolutions in a Song (John Torres, Philippines, 2010)
Tree of Life (Terrence Malick, U.S., 2011)
Manila, Philippines
Profile: mubi
Site: Auditoire
Nanook of the North (Robert J. Flaherty, U.S., 1922)
The Last Laugh (F.W. Murnau, Germany, 1924)
Battleship Potemkin (Sergei Eisentein, Soviet Union, 1925)
Sunrise (F.W. Murnau, U.S., 1927)
The Cameraman (Buster Keaton, U.S., 1928)
The Man With a Movie Camera (Dziga Vertov, Soviet Union, 1929)
L’Age D’Or (Luis Bunuel, France, 1930)
L’Atalante (Jean Vigo, France, 1934)
Grand Illusion (Jean Renoir, France, 1937)
Children of Paradise (Marcel Carne, France, 1945)
Orpheus (Jean Cocteau, France, 1950)
Rashomon (Akira Kurosawa, Japan, 1950)
Diary of a Country Priest (Robert Bresson, France, 1951)
Late Spring (Yasujirô Ozu, Japan, 1949)
Ugetsu Monogatari (Kenji Mizoguchi, 1953)
The Earrings of Madame de… (Max Ophüls, France, 1953)
Rear Window (Alfred Hitchcock, U.S., 1954)
The Night of the Hunter (Charles Laughton, U.S., 1955)
A Man Escaped (Robert Bresson, France, 1956)
Anak Dalita (Lamberto Avellana, Philippines, 1956)
Wild Strawberries (Ingmar Bergman, Sweden, 1957)
Vertigo (Alfred Hitchcock, U.S., 1958)
Hiroshima, Mon Amour (Alain Resnais, France, 1959)
Pickpocket (Robert Bresson, France, 1959)
L’Avventura (Michelangelo Atonioni, Italy, 1960)
Viridiana (Luis Bunuel, 1961)
Winter Light (Ingmar Bergman, Sweden, 1962)
Vivre Sa Vie (Jean-Luc Godard, France, 1962)
The Trial of Joan of Arc (Robert Bresson, France, 1962)
L’Eclisse (Michelangelo Antonioni, 1963)
Noite Vazia (Walter Hugo Khouri, Brazil, 1964)
Band of Outsiders (Jean-Luc Godard, France, 1964)
Andrei Rublev (Andrei Tarkovsky, Soviet Union, 1966)
A Man and A Woman (Claude Lelouch, France, 1966)
Persona (Ingmar Bergman, 1966)
Playtime (Jacques Tati, France, 1967)
Warrendale (Allan King, Canada, 1967)
Teorema (Pier Paolo Pasolini, Italy, 1968)
Flesh (Andy Warhol, U.S. 1968)
My Night At Maud’s (Eric Rohmer, France, 1969)
Once Upon A Time There Was A Singing Blackbird (Otar Iosseliani, Soviet Union, 1970)
The Spirit of the Beehive (Victor Erice, Spain, 1973)
The Man Who Sleeps (Bernard Queysanne, France, 1974)
Ali: Fear Eats The Soul (Rainer Werner Fassbinder, West Germany, 1974)
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, Belgium, 1975)
Manila in the Claws of Neon (Lino Brocka, Philippines, 1975)
Salo, or the 120 Days of Sodom (Pier Paolo Pasolini, Italy, 1975)
The Mirror (Andrei Tarkovsky, Soviet Union, 1975)
The Wishing Tree (Tengiz Abuladze, Georgia, 1976)
Eraserhead (David Lynch, 1976)
Les Rendez-vous D’Anna (Chantal Akerman, France,1978)
Stalker (Andrei Tarkovsky, Soviet Union, 1979)
Age of the Earth (Glauber Rocha, Brazil, 1980)
Taxi Zum Klo (Frank Ripploh, West Germany, 1980)
City After Dark (Ishmael Bernal, Philippines, 1980)
Bomba Star (Joey Gosiengfiao, Philippines, 1980)
Blade Runner (Ridley Scott, U.S., 1982)
Querelle (Rainer Werner Fassbinder, West Germany, 1982)
L’Argent (Robert Bresson, 1983)
Sans Soleil (Chris Maker, France, 1983)
Vagabond (Agnès Varda, France, 1985)
Blue Velvet (David Lynch, U.S., 1986)
Where is The Friend’s Home (Abbas Kiarostami, Iran, 1987)
Under The Sun of Satan (Maurice Pialat, France, 1987)
My Neighbor, Totoro (Hayao Miyazaki, Japan, 1988)
Orapronobis (Lino Brocka, 1989)
A City of Sadness (Hou Hsiao-Hsien, Taiwan, 1989)
Close-Up (Abbas Kiarostami, Iran, 1990)
Life, and Nothing More… (Abbas Kiarostami, Iran, 1991)
The Double Life of Veronique (Krzysztof Kieślowski, Poland, 1991)
Kairat (Darezhan Omirbaev, Kazakhstan, 1992)
Chungking Express (Wong Kar-Wai, H.K., 1994)
Vive L’Amour (Tsai Ming-Liang, Taiwan, 1994)
Through The Olive Trees (Abbas Kiarostami, Iran, 1994)
Bontoc Eulogy (Marlon Fuentes, Philippines-USA, 1995)
A Moment of Innocence (Mohsen Makhmalbaf, Iran, 1996)
Happy Together (Wong Kar-Wai, H.K., 1997)
A Taste of Cherry (Abbas Kiarostami, Iran, 1997)
Histoire(s) Du Cinema (Jean-Luc Godard, France, 1997)
The Hole (Tsai-Ming Liang, Taiwan, 1998)
Beau Travail (Claire Denis, 1999)
Rosetta (Jean-Pierre Dardenne & Luc Dardenne, Belgium, 1999)
The Wind Will Carry Us (Abbas Kiarostami, 1999)
Yi Yi: A One and A Two (Edward Yang, 2000)
Millennium Mambo (Hou Hsiao-Hsien, 2001)
Basal Banar (Auraeus Solito, Philippines, 2002)
Talk to Her (Pedro Almodóvar, Spain, 2002)
Evolution of a Filipino Family (Lav Diaz, 2004)
Tropical Malady (Apichatpong Weerasethakul, Thailand, 2004)
A Short Film About The Indio Nacional (Or The Prolonger Sorrow of the Filipinos) (Raya Martin, Philippines, 2005)
Todo Todo Teros (John Torres, Philippines, 2006)
Inland Empire (David Lynch, U.S., 2006)
Syndromes and a Century (Apichatpong Weerasethakul, 2006)
Silent Light (Carlos Reygadas, Mexico, 2007)
Now Showing (Raya Martin, 2008)
The Beaches of Agnès (Agnès Varda, France, 2008)
Kinatay (Brillante Mendoza, Philippines, 2009)
Honey (Semih Kaplanoğlu, Turkey, 2010)
Refrains Happen Like Revolutions in a Song (John Torres, Philippines, 2010)
Tree of Life (Terrence Malick, U.S., 2011)
