Rio Johan
Baturaja, South Sumatera, Indonesia
Profile: mubi
I
8½ (Federico Fellini, Italy, 1963)
Beauty and the Beast (Jean Cocteau, France, 1946)
Blow-Up (Michelangelo Antonioni, UK, 1966)
Closely Watched Trains (Jiří Menzel, Czechoslovakia, 1966)
Fanny and Alexander (Ingmar Bergman, Sweden, 1982)
Gerturd (Carl Theodor Dreyer, Denmark, 1964)
Ivan’s Childhood (Andrei Tarkovsky, Soviet Union, 1962)
Loves of a Blonde (Miloš Forman, Czechoslovakia, 1965)
Persona (Ingmar Bergman, Sweden , 1966)
Ten (Abbas Kiarostami, Iran, 2002)
II
Ådalen 31 (Bo Widerberg, Sweden, 1969)
Last Year at Marienbad (Alain Resnais, France, 1961)
Ordet (Carl Theodor Dreyer, Denmark, 1955)
Pharaoh (Jerzy Kawalerowicz, Poland, 1966)
Playtime (Jacques Tati, France, 1967)
The Color of Pomegranates (Sergei Parajanov, Soviet Union, 1968)
The Discreet Charm of the Bourgeoisie (Luis Buñuel, France, 1972)
The Night of Counting the Years (Shadi Abdel Salam, Egypt, 1969)
The Red Shoes (Michael Powell & Emeric Pressburger, UK, 1948)
The Travelling Players (Theodoros Angelopoulos, Greece, 1975)
III
Dogville (Lars von Trier, Denmark, et al., 2003)
I Love You Rosa (Moshé Mizrahi, Israel, 1972)
Kevade (Arvo Kruusement, Estonia, 1970)
Larks on a String (Jiří Menzel, Czechoslovakia, 1990)
Madame Rosa (Moshé Mizrahi, France, 1977)
Miss Julie (Alf Sjöberg, Sweden, 1951)
Singin’ in the Rain (Stanley Donen & Gene Kelly, USA, 1952)
Sunrise: A Song of Two Humans (F.W. Murnau, USA, 1927)
Sunset Boulevard (Billy Wilder, USA, 1950)
Young Törless (Volker Schlöndorff, West Germany, 1966)
IV
In the Mood for Love (Wong Kar-wai, Hong Kong, 2000)
Kairat (Darezhan Omirbaev, Kazakhstan, 1992)
Mouchette (Robert Bresson, France, 1967)
Murmur of the Heart (Louis Malle, France, 1971)
Ran (Akira Kurosawa, Japan, 1985)
The 400 Blows (François Truffaut, France, 1959)
The Leopard (Luchino Visconti, Italy, 1963)
Tree of Knowledge (Nils Malmros, Denmark, 1981)
When a Woman Ascends the Stairs (Mikio Naruse, Japan, 1960)
Young Aphrodites (Nikos Koundouros, Greece, 1963)
V
Amarcord (Federico Fellini, Italy, 1973)
Aparajito (Satyajit Ray, India, 1959)
Dancer in the Dark (Lars von Trier, Denmark, et al., 2000)
My Night at Maud’s (Éric Rohmer, France, 1969)
One Song a Day Takes Mischief Away (Krešimir Golik, Yugoslavia, 1970)
Senso (Luchino Visconti, Italy, 1954)
The Double Life of Véronique (Krzysztof Kieślowski, Poland, 1991)
The Mirror (Andrei Tarkovsky, Soviet Union, 1975)
The Mirror (Jafar Panahi, Iran, 1997)
Where Is the Friend’s Home? (Abbas Kiarostami, Iran, 1987)
VI
Belle de jour (Luis Buñuel, France, 1967)
Electra (Mihalis Kakogiannis, Greece, 1962)
In the City of Sylvia (José Luis Guerín, Spain, 2007)
Jacquot de Nantes (Agnès Varda, France, 1991)
Mother (Mikio Naruse, Japan, 1952)
Rashômon (Akira Kurosawa, Japan, 1950)
Shadows of Forgotten Ancestors (Sergei Parajanov, Soviet Union, 1964)
The Decalogue (Krzysztof Kieślowski, Poland, 1989)
Tokyo Twilight (Yasujirô Ozu, Japan, 1957)
Werckmeister Harmonies (Béla Tarr & Ágnes Hranitzky, Poland, 2000)
VII
Aguirre, the Wrath of God (Werner Herzog, West Germany, 1972)
Kes (Ken Loach, UK, 1969)
Knights of the Teutonic Order (Aleksander Ford, Poland, 1961)
My Way Home (Miklós Jancsó, Hungary, 1964)
Pearls of the Deep (Věra Chytilová, Jaromil Jireš, et al., Czechoslovakia, 1965)
Tokyo Story (Yasujirô Ozu, Japan, 1953)
The Garden of the Finzi-Continis (Vittorio De Sica, Italy, 1970)
Viridiana (Luis Buñuel, Spain, 1967)
Wings of Desire (Wim Wenders, West Germany, 1987)
Yana’s Friends (Arik Kaplun, Israel, 1999)
VIII
Adelheid (František Vláčil, Czechoslovakia, 1970)
Bashu, the Little Stranger (Bahram Beizai, Iran, 1989)
City Lights (Charlie Chaplin, USA, 1931)
Cries and Whispers (Ingmar Bergman, Sweden, 1972)
Memories of Underdevelopment (Tomás Gutiérrez Alea, Cuba, 1968)
Reconstruction (Lucian Pintilie, Romania, 1968)
Romeo, Juliet and Darkness (Jirí Weiss, Czehcoslovakia, 1960)
Russian Ark (Aleksandr Sokurov, Russia, 2002)
The Wishing Tree (Tengiz Abuladze, Georgia, 1976)
When Father Was Away on Business (Emir Kusturica, Yugoslavia, 1985)
IX
All About My Mother (Pedro Almodóvar, Spain, 1992)
Center Stage (Stanley Kwan, Hong Kong, 1992)
Howards End (James Ivory, UK, 1992)
L’enfant (Jean-Pierre Dardenne & Luc Dardenne, Belgium, 2005)
Long Live the Republic (Karel Kachyna, Czechoslovakia, 1965)
Oblomov (Nikita Mikhalkov, Russia, 1980)
Shadow of a Fern (František Vláčil, Czechoslovakia, 1984)
The House on Chelouche Street (Moshé Mizrahi, Israel, 1973)
The Ruins (Mrinal Sen, India, 1983)
Y tu mamá también (Alfonso Cuarón, Mexico, 2001)
X
Death in Venice (Luchino Visconti, Italy, 1971)
Mes petites amoureuses (Jean Eustache, France, 1974)
On the Old Roman Road (Don Askarian, Armenia, 2001)
Picnic at Hanging Rock (Peter Weir, Australia, 1975)
Raise the Red Lantern (Zhang Yimou, China, 1991)
Sinbad (Zoltán Huszárik, Hungary, 1971)
The Dead Mountaineer Hotel (Grigori Kromanov, Estonia, 1979)
The Poor (Yilmaz Güney & Atif Yilmaz, Turkey, 1975)
Turkish Delight (Paul Verhoeven, Netherlands, 1973)
Wild Reeds (André Téchiné, France, 1994)
Baturaja, South Sumatera, Indonesia
Profile: mubi
I
8½ (Federico Fellini, Italy, 1963)
Beauty and the Beast (Jean Cocteau, France, 1946)
Blow-Up (Michelangelo Antonioni, UK, 1966)
Closely Watched Trains (Jiří Menzel, Czechoslovakia, 1966)
Fanny and Alexander (Ingmar Bergman, Sweden, 1982)
Gerturd (Carl Theodor Dreyer, Denmark, 1964)
Ivan’s Childhood (Andrei Tarkovsky, Soviet Union, 1962)
Loves of a Blonde (Miloš Forman, Czechoslovakia, 1965)
Persona (Ingmar Bergman, Sweden , 1966)
Ten (Abbas Kiarostami, Iran, 2002)
II
Ådalen 31 (Bo Widerberg, Sweden, 1969)
Last Year at Marienbad (Alain Resnais, France, 1961)
Ordet (Carl Theodor Dreyer, Denmark, 1955)
Pharaoh (Jerzy Kawalerowicz, Poland, 1966)
Playtime (Jacques Tati, France, 1967)
The Color of Pomegranates (Sergei Parajanov, Soviet Union, 1968)
The Discreet Charm of the Bourgeoisie (Luis Buñuel, France, 1972)
The Night of Counting the Years (Shadi Abdel Salam, Egypt, 1969)
The Red Shoes (Michael Powell & Emeric Pressburger, UK, 1948)
The Travelling Players (Theodoros Angelopoulos, Greece, 1975)
III
Dogville (Lars von Trier, Denmark, et al., 2003)
I Love You Rosa (Moshé Mizrahi, Israel, 1972)
Kevade (Arvo Kruusement, Estonia, 1970)
Larks on a String (Jiří Menzel, Czechoslovakia, 1990)
Madame Rosa (Moshé Mizrahi, France, 1977)
Miss Julie (Alf Sjöberg, Sweden, 1951)
Singin’ in the Rain (Stanley Donen & Gene Kelly, USA, 1952)
Sunrise: A Song of Two Humans (F.W. Murnau, USA, 1927)
Sunset Boulevard (Billy Wilder, USA, 1950)
Young Törless (Volker Schlöndorff, West Germany, 1966)
IV
In the Mood for Love (Wong Kar-wai, Hong Kong, 2000)
Kairat (Darezhan Omirbaev, Kazakhstan, 1992)
Mouchette (Robert Bresson, France, 1967)
Murmur of the Heart (Louis Malle, France, 1971)
Ran (Akira Kurosawa, Japan, 1985)
The 400 Blows (François Truffaut, France, 1959)
The Leopard (Luchino Visconti, Italy, 1963)
Tree of Knowledge (Nils Malmros, Denmark, 1981)
When a Woman Ascends the Stairs (Mikio Naruse, Japan, 1960)
Young Aphrodites (Nikos Koundouros, Greece, 1963)
V
Amarcord (Federico Fellini, Italy, 1973)
Aparajito (Satyajit Ray, India, 1959)
Dancer in the Dark (Lars von Trier, Denmark, et al., 2000)
My Night at Maud’s (Éric Rohmer, France, 1969)
One Song a Day Takes Mischief Away (Krešimir Golik, Yugoslavia, 1970)
Senso (Luchino Visconti, Italy, 1954)
The Double Life of Véronique (Krzysztof Kieślowski, Poland, 1991)
The Mirror (Andrei Tarkovsky, Soviet Union, 1975)
The Mirror (Jafar Panahi, Iran, 1997)
Where Is the Friend’s Home? (Abbas Kiarostami, Iran, 1987)
VI
Belle de jour (Luis Buñuel, France, 1967)
Electra (Mihalis Kakogiannis, Greece, 1962)
In the City of Sylvia (José Luis Guerín, Spain, 2007)
Jacquot de Nantes (Agnès Varda, France, 1991)
Mother (Mikio Naruse, Japan, 1952)
Rashômon (Akira Kurosawa, Japan, 1950)
Shadows of Forgotten Ancestors (Sergei Parajanov, Soviet Union, 1964)
The Decalogue (Krzysztof Kieślowski, Poland, 1989)
Tokyo Twilight (Yasujirô Ozu, Japan, 1957)
Werckmeister Harmonies (Béla Tarr & Ágnes Hranitzky, Poland, 2000)
VII
Aguirre, the Wrath of God (Werner Herzog, West Germany, 1972)
Kes (Ken Loach, UK, 1969)
Knights of the Teutonic Order (Aleksander Ford, Poland, 1961)
My Way Home (Miklós Jancsó, Hungary, 1964)
Pearls of the Deep (Věra Chytilová, Jaromil Jireš, et al., Czechoslovakia, 1965)
Tokyo Story (Yasujirô Ozu, Japan, 1953)
The Garden of the Finzi-Continis (Vittorio De Sica, Italy, 1970)
Viridiana (Luis Buñuel, Spain, 1967)
Wings of Desire (Wim Wenders, West Germany, 1987)
Yana’s Friends (Arik Kaplun, Israel, 1999)
VIII
Adelheid (František Vláčil, Czechoslovakia, 1970)
Bashu, the Little Stranger (Bahram Beizai, Iran, 1989)
City Lights (Charlie Chaplin, USA, 1931)
Cries and Whispers (Ingmar Bergman, Sweden, 1972)
Memories of Underdevelopment (Tomás Gutiérrez Alea, Cuba, 1968)
Reconstruction (Lucian Pintilie, Romania, 1968)
Romeo, Juliet and Darkness (Jirí Weiss, Czehcoslovakia, 1960)
Russian Ark (Aleksandr Sokurov, Russia, 2002)
The Wishing Tree (Tengiz Abuladze, Georgia, 1976)
When Father Was Away on Business (Emir Kusturica, Yugoslavia, 1985)
IX
All About My Mother (Pedro Almodóvar, Spain, 1992)
Center Stage (Stanley Kwan, Hong Kong, 1992)
Howards End (James Ivory, UK, 1992)
L’enfant (Jean-Pierre Dardenne & Luc Dardenne, Belgium, 2005)
Long Live the Republic (Karel Kachyna, Czechoslovakia, 1965)
Oblomov (Nikita Mikhalkov, Russia, 1980)
Shadow of a Fern (František Vláčil, Czechoslovakia, 1984)
The House on Chelouche Street (Moshé Mizrahi, Israel, 1973)
The Ruins (Mrinal Sen, India, 1983)
Y tu mamá también (Alfonso Cuarón, Mexico, 2001)
X
Death in Venice (Luchino Visconti, Italy, 1971)
Mes petites amoureuses (Jean Eustache, France, 1974)
On the Old Roman Road (Don Askarian, Armenia, 2001)
Picnic at Hanging Rock (Peter Weir, Australia, 1975)
Raise the Red Lantern (Zhang Yimou, China, 1991)
Sinbad (Zoltán Huszárik, Hungary, 1971)
The Dead Mountaineer Hotel (Grigori Kromanov, Estonia, 1979)
The Poor (Yilmaz Güney & Atif Yilmaz, Turkey, 1975)
Turkish Delight (Paul Verhoeven, Netherlands, 1973)
Wild Reeds (André Téchiné, France, 1994)
