Cedric

Cedric
São Paulo, Brazil.
Profile: mubi 

Sunrise (Murnau / 1927 / US)
Metropolis (Lang / 1927 / Germany)
All Quiet on the Western Front (Milestone / 1930 / US)
The Goddess (Shen nu / Wu / 1934 / China)
Our Neighbor, Miss Yae (Tonari no Yae-chan / Shimazu / 1934 / Japan)
L’Atalante (Vigo / 1934 / France)
El Compadre Mendoza (De Fuentes / 1934 / Mexico)
Humanity and Paper Balloons (Ninjo kami fusen / Yamanaka / 1937 / Japan)
Street Angel (Malu tianshi / Yuan / 1937 / China)
Rules of the Game (La Règle du Jeu / Renoir / 1939 / France)
The Mortal Storm (Borzage / 1940 / US)
Germany, Year Zero (Germania Anno Zero / Rossellini / 1948 / Italy)
To Live (Ikiru / Kurosawa / 1952 / Japan)
Where Chimneys are Seen (Entotsu no mieru basho / Gosho / 1953 / Japan)
Sansho the Bailiff (Shanso dayû / Mizoguchi / 1954 / Japan)
Sound of the Mountain (Yama no oto / Naruse / 1954 / Japan)
Night of the Hunter (Laughton / 1955 / US)
Song of the Little Road (Pather Panchali / Ray / 1955 / India)
Diabolique (Les Diaboliques / Clouzot / 1955 / France)
The Word (Ordet / Dreyer / 1955 / Denmark)
The Burmese Harp (Biruma no tategoto / Ichikawa / 1956 / Japan)
The Cranes are Flying (Letyat zhuravli / Kalatozov / 1957 / USSR)
Vertigo (Hitchcock / 1958 / US)
Ballad of Narayama (Narayama bushikô / Kinoshita / 1958 / Japan)
Hiroshima Mon Amour (Resnais / 1959 / France)
The Human Condition (Ningen no jôken / Kobayashi / 1959 / Japan)
Wild River (Kazan / 1960 / US)
La Notte (Antonioni / 1961 / Italy)
The Man who Shot Liberty Valance (Ford / 1962 / US)
An Autumn Afternoon (Sanma no aji / Ozu / 1962 / Japan)
The Exterminating Angel (El Ángel Exterminador / Buñuel / 1962 / Mexico)
The Leopard (Il Gattopardo / Visconti / 1963 / Italy)
Barren Lives (Vidas Secas / Dos Santos / 1963 / Brazil)
The Fire Within (Le feu follet / Malle / 1963 / France)
(Otto e mezzo / Fellini / 1963 / Italy)
Black God, White Devil (Deus e o Diabo na Terra do Sol / Rocha / 1964 / Brazil)
Woman of the Dunes (Sunna no onna / Teshigahara / 1964 / Japan)
Eros… the Bizarre (Noite Vazia / Khouri / 1964 / Brazil)
Brick and Mirror (Khesht va Ayeneh / Golestan / 1965 / Iran)
The Dare (O Desafio / Saraceni / 1965 / Brazil)
The Shop on Main Street (Obchod na korze / Kadár & Klos / 1965 / Czechoslovakia)
The Boy and the Wind (O Menino e o Vento / Christensen / 1967 / Brazil)
The Profound Desire of the Gods (Kamigami no Fukaki Yokubo / Imamura / 1968 / Japan)
The Hour of the Furnaces (La Hora de los Hornos / Solanas & Getion / 1968 / Argentina)
2001: A Space Odyssey (Kubrick / 1968 / UK)
The Cremator (Spalovač mrtvol / Herz / 1969 / Czechoslovakia)
Invasión (Santiago / 1969 / Argentina)
The Conformist (Il Conformista / Bertolucci / 1970 / Italy)
Adelheid (Vláčil / 1970 / Czechoslovakia)
Love (Szerelem / Makk / 1971 / Hungary)
Courage of the People (El Coraje del Pueblo / Sanjinés / 1971 / Bolivia)
Four Nights of a Dreamer (Quatre nuits d’un rêveur / Bresson / 1971 / France)
Red Psalm (Még kér a nép / Jancsó / 1972 / Hungary)
The Bitter Tears of Petra von Kant (Die bitteren Tränen der Petra von Kant / Fassbinder / 1972 / West Germany)
S. Bernardo (Hirszman / 1972 / Brazil)
The Spirit of the Beehive (El espíritu de la colmena / Erice / 1973 / Spain)
Castle of Purity (El Castillo de la Pureza / Ripstein / 1973 / Mexico)
Chinatown (Polanski / 1974 / US)
Pastoral Hide-and-Seek (Den’en ni shisu / Terayama / 1974 / Japan)
Edvard Munch (Watkins / 1974 / Sweden)
The Nail of Brightness (Maynila: Sa mga kuko ng liwanag / Brocka / 1975 / Philippines)
Jeanne Dielman (Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles / Akerman / 1975 / Belgium)
Taxi Driver (Scorsese / 1976 / US)
The Killing of a Chinese Bookie (Cassavetes / 1976 / US)
Killer of Sheep (Burnett / 1977 / US)
Doomed Love (Amor de Perdição / De Oliveira / 1979 / Portugal)
Grabbe’s Last Summer (Grabbes letzter Sommer / Saless / 1980 / West Germany)
Zigeunerweisen (Tsigoineruwaizen / Suzuki / 1980 / Japan)
Alexander the Great (O megalexandros / Angelopoulos / 1980 / Greece)
Fanny and Alexander (Fanny och Alexander / Bergman / 1982 / Sweden)
A Japanese Village (Nippon-koku Furuyashiki-mura / Ogawa / 1982 / Japan)
Sans Soleil (Marker / 1983 / France)
Once Upon a Time in America (C’Era una Volta in America / Leone / 1984 / Italy)
Paris, Texas (Wenders / 1984 / UK)
The Green Ray (Le rayon vert / Rohmer / 1986 / France)
The Sacrifice (Offret / Tarkovsky / 1986 / Sweden)
The Dead (Huston / 1987 / Ireland)
A Tale of the Wind (Une histoire de vent / Ivens / 1988 / France)
The Decalogue (Dekalog / Kieślowski / 1989 / Poland)
Route One/USA (Kramer / 1989 / France)
Antigone (Die Antigone des Sophocles / Straub & Huillet / 1992 / Germany)
The Puppetmaster (Xi meng ren sheng / Hou / 1993 / Taiwan)
Moving (Ohikkôshi / Sômai / 1993 / Japan)
Sopyonje (Seopyeonje / Im / 1993 / South Korea)
Exotica (Egoyan / 1994 / Canada)
Sátántangó (Tarr / 1994 / Hungary)
Maborosi (Maboroshi no hikari / Kore-eda / 1995 / Japan)
Heat (Mann / 1995 / US)
Taste of Cherry (Ta’m e guilass / Kiarostami / 1997 / Iran)
The House (Bartas / 1997 / France)
The Thin Red Line (Malick / 1998 / US)
Belfast, Maine (Wiseman / 1999 / US)
Beau Travail (Denis / 1999 / France)
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Mekas / 2000 / US)
Tie Xi Qu: West of the Tracks (Wang / 2003 / China)
Death in the Land of Encantos (Kagadanan sa banwaan ning mga Engkanto / Diaz / 2007 / Philippines)
United Red Army (Jitsuroku rengô sekigun: Asama sansô e no michi / Wakamatsu / 2007 / Japan)
Now Showing (Martin / 2008 / Philippines)
Uncle Boonmee Who Can Recall His Past Lives (Loong Boonmee raleuk chat / Weerasethakul / 2010 / Thailand)
Mysteries of Lisbon (Mistérios de Lisboa / Ruiz / 2010 / Portugal)